Public house. Mid C19. Sandstone ashlar with Welsh slate roof. 2 storeys, 2 and 3 bays. Main 3-bay section has blocked central door in architrave with bracketed dentilled cornice; inserted window has projecting stone sill. Ground floor paired sashes have bracketed sills; first floor sashes with late C19 glazing bars in lugged architraves. 2 bays set back slightly at left have 2 narrow and one wide ground-floor windows with impost string and keyed segmental arches; bracketed sills and architraves to first floor sashes. All ground floor windows have c.1900 stained glass. First floor band, eaves band and gutter cornice. Low-pitched roof has ashlar chimneys with plinths and cornices. Owned by James Deuchar, now Scottish & Newcastle. In 1975 three female journalists entered the Gents' Buffet on the day the Sex Discrimination Act was passed. The landlord said "you realise you've just made history in here. It's a sad day".

Terrace of houses. Circa 1845. Sandstone ashlar, Welsh slate roof. 2 storeys and
attic; each house 3 bays except end houses which have five bays under a pediment.
8-panel doors, those of end houses with entablature, the rest in architraves. Plain
reveals to margined sashes except for No. 23,lost margins. Canted bay windows in
end bays; square bay at left of No. 33. Elliptical-headed window with raised stone
surround in each pediment. Dormers, many C 20, and tall, corniced ashlar chimneys. Part of the original Bulman Village {1}. 33 The Grove, Gosforth
Prior to the renovation of this grade 2 listed house of c. 1845 and its return to domestic use having been a private school since the 1930s, a programme of building recording was undertaken by Archaeological Research Services Ltd. The grand dwelling is built in sandstone blocks and has large bay windows, with original sashes, on both floors. The adjoining coach house, added by 1857, was also of stone construction but the doors and windows had been replaced with inappropriate modern frames. Whilst the interior of the coach house has been stripped of original features, the main house retains decorative plaster ceilings, picture rails, skirting boards, original banisters, plaster cornices and patterned frieze which will be retained and restored. The most impressive room in the house is that once used by the school headmaster. This room has been decorated by a former resident with old ship panelling, fitted by ship’s joiners. The varnished wood panels include carved cornices, built-in cupboards with glazed doors, a large leaded bay window and an inglenook fireplace with built-in seating to either side. The shape of the arched door surround is imitated in the panels along the same wall which have art nouveau style stained glass panels set into the arches.

A charming jumble of 18th and 19th century houses, a former pub and shops of a variety of styles and sizes that are unified by a common building line. The properties overlook the church and grounds and benefit from mature landscaping. No. 1 is occupied by Hodgson Coulthard & Co. Solicitors, No. 1A was a chemist shop, later furniture shop, now vacant. No. 2 is occupied by Moody Stappard & Hill, Nos. 3, 4 and 6 (Sancroft) are shops, No. 7 is a house, No. 9 is a shop, Number 10 (Glendale House) has projecting bay windows and an additional storey, No. 11 is a Lilburn House (HER 7014) and is listed grade 2, No. 13 is a house. No. 1 started life as the Red Lion Inn. The road was then called Commons Lane, later Church Row. The Red Lion was listed as a postal inn in 1798. The priprietor in 1827 and 1829 was Thomas Reed. In 1834, 1841 and 1851 (with Samuel Liddell) Robert Liddell was innkeeper and victualler. In 1855 it was Margaret Liddell. In 1858 it was Robert Cooke. In 1861 John Horton was master blacksmith and victualler. In 1871 it was Thomas Horton, presumably his son. In 1881 and 1890 Thomas Waller was innkeeper. In 1891 and 1894 it was William Berry. In 1901 Mary Rigby was innkeeper. In 1911 it was Elizabeth Park. In 1914 John Thomas Park. In 1933 Peter Wilson was landlord. The pub sold Vaux ales. In 1938 it was William Wilson. There was a dental practice (Crosthwaite's) above the pub accessed from a door on Durham Road. The Red Lion Inn closed in 1975. In 2010 the building is occupied by Hodgson & Coulthard Solicitors and Moody & Co. Estate Agents.

Houses, then hotel (Tyne Hotel), now club. Circa 1839 for Richard Grainger. Sandstone ashlar; Welsh slate roof. 4 storeys, 9 bays. Rusticated ground floor has renewed double door and overlight in shallow fluted Doric porch. Sash windows in plain reveals have
aprons to long first-floor windows, second floor sill band. Floor bands; second-floor
entablature with prominent cornice; top floor has eaves band and cornice. Corniced
ashlar chimney. McCombie - nine-bay house of 1839. Now the Northern Counties Club. Greek Doric porch.

Town Moor boundary stone. C18. Pecked sandstone with ashlar panels. Tapered
stone with sloped top; arms of Newcastle (3 castles) in low relief on north face;
'No.44' incised on sloping top. Historical note: probably erected after the
legal dispute in 1770 between the freemen and the mayor and burgesses concerning
ownership of the Town Moor.

Parish church. 1899 by F. W. Rich; south transept and chapel 1931 by H.L. Hicks.
Snecked sandstone with ashlar plinth and dressings; roofs of graduated Lakeland
slate with overlapping stone gable copings. Cruciform with aisled nave, north and
south porches, north-east tower and porch. Free Gothic style. Moulded and shafted
2-centred arch in south porch flanked by buttresses under steep gable. Paired
lancets to aisle, 4-light Perpendicular- style clerestory windows. 4-light
windows in transept gables and large Decorated west and east windows. Battlemented
north porches. Tower of 3 tall stages has north door, slit windows on second
stage, blind-traceried arcading above and paired 2-light belfry openings.
Frieze with Gothic lettering and corbel table support pierced battlements.
Octagonal corner turrets to west end. Cross finials. Interior: painted plaster
above boarded dado; ashlar dressings; hammer-beam roof, on pilasters and shafted
corbels. 3-bay arcades have nearly-round 2-centred arches on columns with vine-
carved capitals; taller enriched arches to Lady chapel and tower organ loft.
Large carved tryptych reredos with niches and statues. Fresco on east wall.
Rood beam. Alabaster war memorial on north wall has enamel plaques of angels
Michael and Gabriel. North transept has brass memorial to Walter Baston, builder
of the church and church warden, died 1913. Church hall attached to north-east:
similar materials; 1 storey, 4 bays. Stone-mullioned windows under steeply-gabled
dormers breaking eaves. Steeply-pitched roof.

Theatre. 1837 by Benjamin Green for Richard Grainger replacing the original theatre on Mosley Street. Sandstone ashlar; Welsh slate roof. Classical style. 2 storeys, 7 windows. Full-height hexastyle Corinthian portico, the outer columns paired, with high plinths; pediment containing Royal arms by Tate. 3 bays behind contain range of entrance doors and overlights (one with art nouveau grille 'UPPER CIRCLE') under round-headed windows in pilastered addition with balustraded balcony dated 1901. Round-headed windows above have keyed surrounds. Bracketed pedimented architraves to windows in bays flanking portico; outer bays have public house at left (included in Nos. 9-17 Market Street (q.v.) but described here to complete the composition), and booking office at right and sashes above with balustrades, architraves and bracketed pediments. Top balustrade and parapet. Interior re-modelled in 1901 by Matcham in richly-ornamented style. Three tiers of balconies and boxes with bombee balustrades richly stuccoed. Carved proscenium arch and ornamental plaster ceiling. Interior destroyed by fire in 1899 and rebuilt by Frank Matcham in 'exuberant style'. Restored and rearranged in 1987. Canopy lighting by Simon Watkinson 2001. McCombie - by John and Benjamin Green. Monumental classical tradition combined with English Picturesque. Royal arms on portico pediment by Christopher Tate. After a fire in 1899 the entrance and interior were vigorously remodelled by Frank Matcham. Refurbishment by the Renton Howard Wood Levin Partnership in 1987 kept Matcham's balconies and boxes and inserted a second foyer staircase. Further refurbishment by Napper Architects in 2006, taking space in buildings in Market Street behind.

Shops and houses, later bank, now offices. 1836 by John Dobson for Richard
Grainger; ground floor c.1890 by Newcombe. Sandstone ashlar with granite;
Lakeland roof. 4 storeys and attics, 5 bays. Pink and grey granite
Corinthian Order on ashlar plinth on ground floor: attached columns flanking
lugged architrave, pilasters flanking windows, with ashlar reveals. Ground-
floor entablature with modillioned cornice. Giant Corinthian Order above, defining
end bays, overlapping pilasters and contains windows in architraves, that on
first floor with bracketed pediment and that on second floor lugged, with bracketed
sill. 3 central recessed bays have pilaster jambs to first floor windows; and
mask-decorated parapet with urn finials above door. Second floor level balustrade;
wreaths between bays. Second-floor entablature with modillioned cornice. Top
floor has architraves to windows in end pavilions, plain reveals to central 3
windows. Top cornice and parapet with balustrade over pavilions. Inserted
mansard and square-headed attic windows. The interior has been rebuilt c.1981. McCombie - pavilion by Dobson, shops and embellishments c.1890 by WL Newcombe.

10 Grey Street constructed as part of 2-10 Grey Street in 1842 but overtime more significantly linked to 21 Mosley Street. The first archival material dates to 1877. In 1906-1907 it became joined to 21 Mosley Street (HER 9191). Several plans for 12-14 Grey Street (HER 8833) show the original Dobson elevation. The 1906 plans show the ground and basement in use as Villa Nova Bar (HER 15560). The first floor appears to have been used as a 'smoke room' and the second floor as a bedroom. The current building dates to c.1908 - dated on serpentine pediment with armorial bearings. Ashlar with banded corner pilasters. Tall narrow building of four storeys and attic, one bay. Classical window treatment. Round-arched entrance,with coarse mouldings and carved spandrels, flanked by gigantic consoles. Included for group considerations. McCombie - company arms of Edinburgh Life Assurance Co. over the door between figures of Plenty and Security by C. Neuper of Eldon Square. First, second and third floor rooms have lost their fireplaces.

Terrace of 5 houses, now offices. Circa 1830. English bond brick with painted ashlar basement and dressings; cast iron balcony. Welsh slate roof. Basement and 3 storeys; 6 bays to No. 20, 3 to other houses and set-back right entrance bay to No. 14. End 3 bays project slightly. 8-panelled door to No.16, altered or renewed doors to others, with overlights in architraves. Ground-floor windows of 3 end bays have recessed apron panels in long architraves; central house has full-length windows; projecting stone sills to intermediate windows on ground floor and to all on second. First floor windows to floor level; wedge stone lintels. All windows sashes, most with glazing bars. Blind windows top floor no. 14. First flair band; anthemion-patterned balcony to Nos. 14-18. Low-pitched roof has ashlar-corniced ridge chimneys. McCombie - Jesmond Road West was a country lane until the opening of the General Cemetery of 1834-6 necessitated a carriage road. Development here was spasmodic, shown by detailed changes in the terraces. First the west end of the south side (this block), then another south block further on (HER 9074 and 8814). Brick - by then fashionable again - for the fronts, homely sandstone rubble for the rear. The gap was filled in the mid C19 (HER 8813). The buildings were recorded in 2013 by The Archaeological Practice ahead of renovation as student accommodation. The report concluded that the buildings were a good survival of a late Georgian, high status terrace. The internal features of the buildings became more consistent as building progressed from the southern end of Great North Road. All of the houses have dog-leg stairs with stick balusters and moulded handrails and originally with curtail steps. Almost all the fireplaces have been removed, partition walls inserted and many connecting doors knocked through party walls between what were originally separate properties. Features of note included a fireplace and range in the main kitchen of No.14 with a plate HENRY WALKER & SON, GALLOWGATE IRON WORKS, NEWCASTLE UPON TYNE. Also cornices, and cupboards with old panelled doors. No.20 contains the best plaster ceiling of the whole terrace, with Greek Key and Anthemion ornament.