Wall and gate piers; early nineteenth century. Brick wall with rock-faced chamfered stone coping; tall square sandstone piers with high pyramidal caps.

Pair of houses, now five dwellings. Circa 1800. English bond brick with roll-moulded plinth, ashlar dressings and quoins, sandstone rubble left return, Welsh slate roof with stone gable copings. Three storeys. Five renewed doors. Open pedimented stone Tuscan doorcase. Wedge stone lintels to renewed sash windows. Renewed Venetian window in left return. Rear has keystoned lintels. Ashlar-corniced brick ridge chimneys. "Two modern new built houses with 170 yards of garden in front situated at the head of Stephenson Street" advertised for sale in the Newcastle Courant on 6 May 1804. Field House is the earliest house in the CA and also one of the largest. Its doorcase features urns carved in relief.

Two houses. Circa 1830. English garden wall bond brick with painted ashlar dressings. Welsh slate roof. Brick chimneys. Two storeys. Doors of 8 panels with overlights in flat Tuscan doorcases. Internal window shutters visible in No. 7.

Two houses. Circa 1830. English garden wall bond brick with painted ashlar dressings. Welsh slate roof. Brick chimneys. Two storeys. Doors - 6-panelled to No. 2 and half-glazed to No. 3, with overlights in flat Tuscan doorcases. Wedge stone lintels to sash windows.

Four houses, part of a terrace of five (No. 5 has been demolished). Circa 1820. English bond brick with painted incised rendered basement and ashlar dressings. Welsh slate roof. Basement, two storeys and attics. Fluted round arches to fanlights above doors. Wedge lintels to sash windows. No. 3 has raised brick quoins, gutter cornice and coped parapet, Greek key surround to door head, carved false keystones to lintels. Wreath-framed faience tablet on No. 2 commemorates it as the birthplace of Myles Birkett Foster, landscape artist, in 1825. He moved to London and produced works for Punch and the Illustrated London News. His paintings appeared in novels and poetry books. His landscape paintings include Durham Cathedral and Tantallon Castle in Scotland.

Chest tomb. Edward Hodgson of North Shields, Cordwainer, one of the founders of the Church, buried 3rd November 1690; his wife died 1689; and William Richardson, died 1710 "Aged about 59 years". Sandstone. Rusticated corner piers, central side pilasters, with symbols of death, and pick and shovel in low relief panels.

Dwarf walls, two gate piers west, four gate piers to south, and one pier to south-east of Christ Church. Late eighteenth or early nineteenth century. Sandstone ashlar with chamfered coping from which railings have been removed. Carriage and pedestrian entrances have two tall and two flanking lower piers of rusticated ashlar, with ball finials. Lower pier to south-east terminates churchyard wall.

Non-conformist church. 1853-8 by John Dobson for the Anti-Burgher Society, later Presbyterian. Sandstone ashlar central block, brick wings. Welsh slate roof. L-plan. Palladian style. Basement and two storeys. Central recessed double door under canopy. Half-glazed door and overlight in fifth bay. Sash windows. Banded brick chimneys {1}. An example of Dobson's use of "Renaissance classicism" or Italian style, in the last decade of his work. St. Columba's Presbyterian church was built 1856-7. It was integrated into Northumberland Square by its plainer wings of brick, but had a "particularly dignified" stone façade. Five bays with Tuscan half columns and at the angles pilasters supported an entablature below cornice and balustrade, standing on a rusticated base {2}. Pevsner - very much in the style of Sanmicheli (i.e. North Italian Cinquecento). Independent MP William Shaw Lindsay laid the foundation stone on 20 October 1856. Sunday School Hall added in 1870.

Eight houses, now offices. Before 1811. Sandstone ashlar. Nos. 13, 16 and 19 have roofs of graduated Lakeland slate, others in Welsh slate. Brick chimneys. Six-panelled doors with fanlights in classical doorcases. Sash windows. Pevsner - the focus of the nineteenth century developments in North Shields. A square almost too spacious for the two-storeyed houses on its three sides. The best side is the north, all of c.1810, in good ashlar with original Lakeland slate roofing on Nos. 13, 16 and 19. The central three bays and each end pair project slightly, the latter in bows. Each projection has quoins and a coped blocking course. Houses vary in size from three to five bays. The doorway to No. 17 encloses two doors. The doorcases are classical, with open pediments on columns. The west side of the square is Victorian, the east mostly simple early C19. The leitmotif is doorways with Tuscan pilasters and heavy straight entablature. This motif is seen in many streets in North Shields (e.g. Camden Street, Stephenson Street, Howard Street) {2}. Traditional door knobs, letter boxes and footscrapers survive at Nos. 19-20. No. 20 has particularly attractive with elegant double-height bow windows, which emphasise these end-of-terrace houses and are typical of the graceful late Georgian style. No. 18 has an elegant ground floor bow window at the rear, in stone, which would have originally faced onto the gardens to the north. No. 18 has large stairwell windows with intricate glazing bars {3}.

Five houses, now offices. Before 1811, with twentieth century alterations. Brick with ashlar dressings, rusticated quoins and rendered basements. No. 4 painted rough render. Welsh slate roof. Basement and two storeys. Doors with fanlights in Tuscan doorcase. No. 1 has an early twentieth century doorcase. No. 3 has a mid twentieth century inserted shop. Wedge stone lintels to windows, mostly sashes {1}. Pevsner - built in 1811 but altered in C20 in most insensitive manner {2}. All the houses are raised up on semi-basements and have a flight of stone steps to the front door. There is a former stable behind No. 5. Nos. 1 and 5 have elegant double-height bow windows {3}.