Bolbec Hall was listed Grade II in 1987 with the following description:
'Offices. 1907 by F.W. Rich for the Literary and Philosophical Society sandstone ashlar on granite plinth, and shap granite door columns; roof not visible. Free Palladian style. 5 storeys, 6 bays and entrance bay set back at right at oblique angle. Main entrance has steps up to double door flanked by granite Ionic columns with Jacobean low-relief bronzes on lower section; BOLBEC HALL on fascia over door, with carved coats of arms above; ornate Venetian window on first floor under pediment; plainer windows to upper floors in style of main elevation. Main elevation has double door in first bay; aproned ground-floor windows recessed between rusticated pilasters; ground-floor entablature with triglyph frieze. First-floor windows in Gibbs surrounds have alternate pediments and balustrades; shell-bracketed projections below second- floor windows in enriched architraves with friezes and bracketed cornices. Bracketed sills to third-floor windows in architraves under richly-carved swagged frieze and modillioned cornice. Venetian windows above in Tuscan cases with keyed architraves. Top entablature; roof balustrade with iron finials; right corner bay has keyed oculus under pediment.' {1}. Cheerful Baroque with garlands and Gibbs surrounds {McCombie 2009}.

Lodge to Westgate Hill School. Probably early C20. Red brick and tile-hanging with some half-timbering; Lakeland slate roof. T-plan on first floor with pent extruded bays filling corners. Overhanging first floor hung with fish-scale tiles. Half-glazed door in extruded bay recessed behind carved corner-post. Sashes with upper
glazing bars. Central brick stack with pilasters and corbelled cornice. Walls and piers: brick, red sandstone and terra-cotta. Chamfered plinth to walls with chamfered stone coping; stone-coped plinth to square piers with terra-cotta cornices and ball finials. Gates: wrought and cast iron; quatrefoil-pierced bands to gates
with spear finials and twisted uprights; upward-curved top rail; the left gate has cast-iron 'GIRLS AND INFANTS' and the right 'BOYS' plaques attached.

2 houses, now public house. Circa 1840. Sandstone ashlar and pecked stone; Welsh slate roof. 2 builds. Left part: basement and 2 storeys, 2 bays, lO steps curved round right angle to flushed door at right, in flat Tuscan doorcase with prominent cornice. C19 oriel inserted at left; sashes above under flat stone lintels have late C19 glazing bars and sill band. Ground floor sill band interrupted by oriel.
Eaves band and gutter cornice. Ashlar end chimney raised in brick. Steps have plain
iron railings and handrail with downcurled end. Right part: rusticated ground and
first floors; rusticated quoins to second floor. 3 storeys, 1 bay. Aproned sills
and flat stone lintels to renewed ground-floor window and first-floor sash with
glazing bars; similar second-floor window with sill band. Eaves gutter cornice; 2
chimneys behind. Right return: 3 storeys, 2 windows and 3 narrow bays; rusticated
first floor in left part and 2 gabled porches. Small-paned ground-floor windows;
sashes with glazing bars above; bands at second floor level and sill level; eaves
gutter cornice. Cast iron area railings. Bought by Fitzgerald's in 1892.

House. Early C19. Painted incised stucco; Welsh slate roof. Basement, 2 storeys; 2 bays. Hardboard-covered door at right under fanlight in open-pedimented case with fluted pilasters, and paterae on frieze. Plain sashes, one on second floor, in moulded wood surrounds, have projecting stone sills. Gutter cornice. Roof has sash in pedimented dormer; 2 ridge brick chimneys.

House. Circa 1825. Rendered basement; English garden wall bond brick with painted
ashlar dressings; felt-covered roof. Basement, 3 storeys and attic; 2 bays. Steps
up to hardboard-covered door and overlight in doorcase of pilasters, and entablature
with prominent cornice. Wedge stone lintels and projecting stone sills to one ground-
floor and both upper-floor plain sashes. Eaves band and gutter cornice. Small
square-headed dormer. Plain wrought-iron hand and area railings

Company meeting hall, now with shops. 1805-12, for Company of House Carpenters. Late C19 shops. Sandstone ashlar. Welsh slate roof. 2 storeys, 2:5:2 bays, the wings lower and set back; central 3 bays project under pediment. 4 shops in ground floor. Flat stone lintels to windows above with renewed glazing to most; projecting stone sills in each wing; sill band to central 5 bays. Eaves bands and gutter cornices. House Carpenters' arms in pediment. Hipped roof has truncated end chimneys to main block. Source: Mackenzie History of Newcastle 1827 p.693.

Shop and offices. Dated 1894 on corner turret. Sandstone ashlar; pink granite office
door surround, roof not visible; fishscale copper roof to corner turret. 4 storeys
and attic; 6 bays to Westgate Road with right curved corner bay to Clayton Street
and one tripartite bay on right return. Office entrance at left: panelled double
door and overlight recessed in architrave with tall double key to entablature
resting on rusticated pilasters. Altered shop fronts. Upper floors have sashes with
glazing bars in lugged architraves. Those on first floor have high moulded friezes,
with central carved panel, under cornices with central semi-circular pediment;
segmental-headed second-floor sashes have block rustication and key bracket. Giant
Ionic Order frames these floors and supports entablature with modillioned cornice.
Top windows flanked by paired attached Tuscan columns under top entablature. Corner
turret has date panel below colonnade with paired corner columns, all with block
rustication, and narrow scrolled pediments over corner projections. Domed roof.
Roof balustrade supports consoles flanking 2 dormers, sashes in architraves with
tall keys under segmental pediments. Tall chimneys have pilasters and cornices. In 2013 this is Dunsford Office Furniture. McCombie - by Armstrong & Knowles. Replaced John Wardle's Grainger development on this plot.

County Court building. Dated 1864.
Sandstone ashlar with rusticated quoins to upper floors; dark slate roof. Classical
style. 3 storeys, 5 bays and archway at left. Steps up to double door under fanlight
in right bay; Rusticated ground floor forming voussoirs to end doors, 4 round-headed
windows and left archway. Masks on arch keys. Margined sash windows, shallow seg-mental-headed on first floor, and square-headed on second, those on upper floors
in architraves which are lugged and keyed on first and have bracketed sills on
second floors. Ground-floor entablature with dentilled cornice; second-floor sill
band and lintel string which supports brackets to top cornice. Low-pitched hipped
roof has tall ashlar chimneys with bracketed cornices. Royal Arms on blocking course above left archway; ground-floor frieze inscribed COUNTY COURT 1864.
4 square piers flank carriage entrance at left aid pedestrian entrance at right;
flat-coped swarf wall between supports spear-headed wrought iron railings and gates. In 2013 this is David Gray & Co.

This tomb was listed Grade II in 1987 with the following description:
'Chest tomb. Circa 1800 to Solomon Hodgson, owner and editor of the Newcastle Chronicle., and members of his family. Sandstone ashlar. Moulded top on inscribed panels. Inscription recorded in E. Mackenzie History of Newcastle 1827, 351.'
Solomon Hodgson (1761-1800) was born in Cumberland. He was probably apprenticed as a letter press printer to Thomas Slack, founder of the Newcastle Chronicle. Following Slack's death, he became reporter, editor, advertising agent and publisher of the newspaper at Union Street. Hodgson also managed a printing and bookselling business and an agency for patent medicines in the Groat Market. He was a friend of Thomas Bewick and helped compile the 'General History of Quadrupeds'. Following his early death aged 39, his widow Sarah, Thomas Slack's daughter, carried on the business. After her death in 1822, their son Thomas continued as proprietor and editor for another 43 years. There is a 96 word epitaph on the tomb.

This tomb was listed Grade II in 1987 with the following description:
'Table tomb. Circa 1798 to Ralph Waters, artist. Sandstone ashlar. Chamfered slab on 6 square columns. Included for historical interest. Memorial panel to Waters in south aisle of church of St. John refers to this tomb.'