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A 2 storey commercial building, originally a co-op, with some Art Deco influences. It is built of brown brick with metal(?) detailing. To the ground floor is a modern shop front consisting of new windows, doors and fascia inserted into the frame of the historic principal elevation, which fills the width of the main 5 bay core of the building. Above are 5 metal 15 pane casement windows, with a box-section metal surround and a header course atop. The short wings to each side incorporate oculus lights with header surrounds and curved box-section metal hoods. There is a concrete eaves cornice, with header course beneath to the wings, which also incorporate a boundary wall with concrete coping. An extension has been added to the rear.
MATERIALS Brown brick, metal, concrete
DATES Late 1930s/1940s? (By 5th Ed.)
STATEMENT OF SIGNIFICANCE
This building is an interesting commercial survival representative of its era in both materials and detailing – particularly with the use of brown brick and metal window frames, and the remnant Art Deco influences stepping of the elevation. It retains many original features, and the extension to the rear is not visible from the main elevation. This ensures that the original proportions of the building are maintained well, giving a satisfying geometric symmetry.

This school was formerly on the Gateshead local list, but was removed in 2023 due to its demolition.
These council schools followed on from educational provision begun with the Parish school and continued with the board schools (towards the river). Both were planned in 1909, but the junior department was built straightaway (opening in 1910) whilst the Infant department was delayed until 1914. They are of exceptional quality and architectural vitality – equally, imaginatively unusual but completely different in detailing. The scale and materials are nonetheless very similar – again utilising the low profile and animated roofscape familiar from many other historic schools, which were proportioned to suit their occupants.
The architecture of the junior school is finely detailed. Rusticated stone banding and plinth enhance the stretcher bond brickwork, with carved stone detailing to the gable apexes, (mostly) flat arched brick window heads and decorative eaves details. The predominantly blue Welsh slate roofscape is remarkable in its use of green Westmorland slate banding and stepped kneelers halfway down, as well as to the base of the water tabling. It is further embellished by terracotta ridge tiles and ball finials to the hips. Carved, Incised plaques elaborately denote the boys and girls’ entrances and the cookery area (which originally had an Aga, although this has now been removed). All the exterior detailing remains, including an attractively detailed rainwater hopper and downpipe brackets, and all the original timber windows (part sash, part casement) remain save 2 to the rear.
The interior is also remarkably intact. Of particular interest is the vast central hall space, which is very light and airy and runs longitudinally with the building. Designed in 2 parts with lantern lights to each, there are classrooms flanking the main space, divided from it by extensively glazed partitions panelled with timber below. The space is distinctive and very successful, and contributes greatly to the overall character of the building. The roof structure can be seen in the cookery area, where delicate curved braces spring from moulded corbels to support the tie beam.
The Infant school building boasts simpler and more robust geometric detailing. Flemish bond brickwork gives it a distinctive patterned appearance, with the structure consisting of a gabled, clerestoried central portion, with low flanking wings. The slate roof features unusual geometric water tabling to gables which descends to square kneelers, and on one side the tilting fillets to the eaves push through, with their extending rafters, the round headed half-dormers ascending from below. In this building the large, airy hall is transverse, with an open roof structure incorporating square columnar queen posts and straight braces on chunky corbels. Again the interior remains largely intact, with the same parquet floors visible in the older building, and the geometric detail continues with diamond glazing bars to the half-glazed timber doors. Unfortunately, however, al the original timber windows have been replaced with plastic and there is a small but poor quality flat-roofed extension to the side.
MATERIALS Red brick, sandstone, Welsh & Westmorland slate, timber.
ARCHITECT Joseph Potts & Son (57 John St, Sunderland).
DATES 1910 (Junior) and 1914 (Infant).
ADDITIONAL INFORMATION Brian Johnson, Lead singer of rock band AC/DC, attended the school. During World War II the entrances were reinforced with blast walls and sand bags, and an air raid shelter was built in the grounds.

Presbyterian Church built in 1913 on the site of a corrugated iron church of c1907.
Includes important stained window of the William Morris School.
Inherited artefacts from the Presbyterian Church that stood on the site of the 5 Bridges Hotel.

STATEMENT OF SIGNIFICANCE
A good and unaltered example of a 1930s semi with special features of interest such as stained glass and curved entrance bay. Has been looked after exceptionally well.

STATEMENT OF SIGNIFICANCE
This rather undistinguished looking building is actually of significant historical importance in Birtley, as one of the only 2 remaining remnants of the settlement of Elisabethville, founded for Belgian refugee workers during the 1st World War. Most of the buildings were demolished in the 1930s. This was the market building (marche) that formerly stood adjacent to the church, and its long, low form would lend itself well to this purpose. The materials used for construction are uncertain, although there appears to be timber framing with possibly board panels between, which are rendered. The roof is mainly of slate, but it has been patched up and altered to the east elevation. This building is an important historical reminder of a short-lived but greatly significant episode in the life of the area.
MATERIALS Timber stud walls & framing with render?, slate roof
DATES c1916

DESCRIPTION
Ground floor commercial premises with accommodation above, situated at the end of a terrace. The ground floor is constructed of large sandstone blocks with deep red brick to the upper storey. The roof is of low-pitched slate with terracotta ridge tiles. The shop-front on the ground floor consists of a deep sandstone stall riser with an unusual large and wide 3 over 3 pane timber sash window spanning the top of it. Above this is a row of diagonal mesh vents. To the left of this is the shop door set in a traditionally-styled deep doorway, with another door to the left of this set in rather a deep surround. Crowning the whole ground floor is a deep fascia with heavy moulded cornice having dentil detail, and 3 small rounded pediments supported on incised brackets. All the woodwork is painted deep jade green, except the white-painted sash. To the 1st floor are a pair of timber casements to the right, and a single one to the left with dentilled brick cornice above. The windows have sandstone sills and lintels, with a stone jamb between the pair.
MATERIALS Sandstone, red brick, slate, timber
DATES 1909
STATEMENT OF SIGNIFICANCE
This is a rare survival of an Edwardian commercial premises remaining virtually unaltered, with good quality materials and detailing. Although the property would benefit from maintenance, and the sashes have been lost to the 1st floor, the stonework and timberwork are of especial character, making an interesting contribution to the street scene, and to the social and commercial history of Chopwell.

DESCRIPTION / STATEMENT OF SIGNIFICANCE
Built in 1874 for James Norval, it was one of 3 villas designed to sit along a slender new road lying east of the railway line – Derwent Crook Drive. This area retains its original secluded character, but Underfell is the only villa that retains almost all of its original features. It boasts decorative bargeboards with matching dormers on a steeply pitched roof, and in a change from the original design it has a large and sturdy porch to the main entrance door. This is echoed in the solid canted bays, and the whole building is lofty and imposing in a steep topographical setting. Whilst it has had many small alterations and additions over the years, this has had only minimal effects on its character as all the key features are still present, including the timber sliding sash windows with pull handles and much decorative plasterwork internally. It is set in sizeable grounds, which form an appealing and mature landscaped setting to the building, and include a grand stone staircase with heavy stone balustrade employed to address the level changes in the garden.
MATERIALS Rich buff sandstone, Welsh slate, timber
ARCHITECT W L Newcombe
DATES 1874

DESCRIPTION
This late 19th century red brick school is a fine example of educational architecture from the period, which is still in use for its original purpose and despite some unfortunate additions retains its fill of Victorian charm. The most visually striking architectural feature is the use of double pitched slated roofs, resulting in rather a haphazard but lively roofscape with a profusion of gables of different sizes facing in different directions. This is further embellished by a small central turret and water tabling. Distinctive stone bands traverse the gables below the apex, but although the trios of window openings are still topped and tailed with stone lintels and cills set in bands, the windows themselves are now of plastic rather than timber. Originally divided for use by girls to one side and boys to the other, it is now divided along age lines between infants and juniors.
MATERIALS Red brick, slate, sandstone
ARCHITECT Thomas Oliver Builders RJ & JW Carr
DATES 1878
ADDITIONAL INFORMATION Cost £5000. Matthew Lowes Clerk of Works.

Now The Sound Room, Redheugh Studios. DESCRIPTION / STATEMENT OF SIGNIFICANCE
This refined, restrained brown brick building, lying low to the land, was formerly the Redheugh Library, one of the first community libraries in Gateshead, and in all likelihood partly inspiring the later, curvaceous Borough Treasurer’s Department. Its flat, layered planes are reminiscent of Frank Lloyd Wright’s prairie style, but despite the stark contrast in the context, it succeeds extremely well here, drawing the landscape in with integral planting beds to the perimeter wall (at the base of the visual hierarchy). The horizontality of the building planes are skilfully complemented by the vertically proportioned windows, with the only notable detail stout moulded door surrounds in painted concrete(?). Subtle variation is provided by the use of differing brick bonds – English Bond to the western end, elegantly curved and originally housing the reading room, with stretcher bond to the remainder of the main building and English Garden Wall Bond to the perimeter. The layout appears to have been broadly similar to that of the central library, with a central lending area and a reference room to the right of the entrance, plus a basement for storage. Whilst the external appearance of the building has been compromised due to problems with vandalism and alterations necessitated by a change of use (skylights removed and windows blocked up, with haphazard repair works), it is remarkable that it has survived at all in such a hostile location. Although they are covered up, the deep sash windows do survive to the apse, with skirtings below, and the old radiators have been incorporated into the new heating system. In the basement doors can still be seen with their original handles and keyholes, but all the historic shelving has been stripped out.
MATERIALS Brown brick, concrete, timber
DATES 1939