Parish church 1912 by CA Clayton Greene. Snecked tooled limestone with ashlar plinth and dressings. Lakeland slate roof with stone copings. Aisled chancel with undercroft, north vestry with organ chamber over, aisled nave, west vestibule and porch. Art Nouveau modification of Tudor style.
Exterior – stone mullioned windows, octagonal stair turrets at sides. Arched doors at wesr end.
Interior – large nave piers to allow aisles underneath (like Church of St. Andrew, Roker). Very wide nave. Kingpost roof trusses and tie beam over windows. Panelled sanctuary with high quality oak furnishings. Small rooms with half-glazed screens flank the western entrance. West passage has panelled doors with patterned glazed strips of bevelled glass. Groined ceiling. Stained glass in east window by Marion D Grant. Watrercolour hanging in west passage shows church as planned, with octagonal tower with needle spire {1}; 1912 by C.A. Clayton Greene. Cruciform in Art-Nouveau Tudor style. Tall wide nave, with half-octagonal buttresses grouped at the corners. Transepts and short chancel with east undercroft. Low passage aisles and crossing arches (the crossing tower was never built) recall St. Andrew, Roker. Fine woodwork and stained glass by D. Marion Grant, 1953 {2}.

Terrace of 7 houses. C1860. English garden wall bond brick with painted ashlar dressings. Welsh slate roofs. 2 storeys. Architraves to doors of Sunderland type. Elaborate brackets to entablatures. Ground floor has canted bay windows. First floor mostly sashes, some renewed. No. 21 has lost door brackets. Round-headed windows in gabled dormers. Ridge chimneys.

Terrace of 16 houses, c1854. Layout by GA Middlemiss. For AJ Moore. 2 storeys, most with basement. Garden wall bond brick with painted ashlar dressings. Rendered left return to Park Road. Welsh slate roof. Brick chimneys. Iron handrails, some original on steps of Nos. 4-16. Doorcases have fluted Corinthian columns. Sunderland-type doors, panelled to fold back as reveals to inner doors. Canted bay window on ground floor. Upper windows – some sashes, some renewed. Roof has some gabled dormers with canted bay windows, some renewed glass and inserted roof lights. Stone lintels and sills.

Parish church. 1868-73 by TC Ebdy. Chancel and north aisle 1920. First build rock-faced snecked limestone with rock-faced sandstone quoins and ashlar dressings. Second build sandstone ashlar. Welsh slate roof first build, Lakeland slate second build.
Exterior – lancet windows, 3-light window in south transept. 3-stage tower with pointed arch over double panelled door. Clock. Octagonal stair turret.
Interior – arch-braced collar and kingpost roof. Glass includes high quality west window to WN Taylor d.1875, with Old Testament figures. South aisle west end window has high quality glass by Bacon Bros (signed 3 bees and triangle). Yellow aisle second window is a memorial with a portrait figure of Lieut. Bell, DLI, d1917, signed J Eadie Reed.
Painted carved reredos, octagonal stone font {1}. 1870 by T.C. Ebdy. A big ambitious church with a deliberately original south tower with stair-turret and pyramidal roof. The porch is in the tower. Doorway with the grossest mouldings also deliberately original. Chancel and north aisle of 1920 {2}. Simplified from its original design to save money but is still ambitious and innovative. The coping stones of the churchyard wall are salvaged stone sleeper blocks taken from the colliery railway.

House, now a home for the elderly. C1830 with late C19/early C20 additions. Incorporates ?C18 house. Garden wall bond brick with ashlar dressings. Lakeland slate roof. Earlier house rear wing is rendered. 3 storeys. Left tower is an addition. Original front has 4-panelled door and overlight. Stone lintels and sills to sash windows. Wooden porch. At rear a Venetian stair window.
Interior – Ionic screen in entrance hall, doors have architraves

C1858. Snecked limestone walls with ashlar coping. Tall chamfered square ashlar piers to vehicle and pedestrian entrances. Blank shields in panels on piers. Wrought-iron gates and railings.

Lodge and office to municipal cemetery. c1858. Snecked limestone with sandstone ashlar dressings and wrought-iron door fittings. Welsh slate roof with stone gable copings and ashlar chimneys. H plan with right wing longer due to extension and porch. Gothic style. One storey. Gabled porch with boarded door with elaborate hinges and low-pointed arch head. Gable has fleur-de-lys finial. Canted bay windows. Renewed sash windows. Stone lintels and sills. Bell-cote. Octagonal chimneys.

Chapel in municipal cemetery. c1858. Snecked limestone with ashlar plinth and dressings; Welsh slate roof with stone gable copings. Aisled nave with north-east tower porch. Decorated style with buttresses and tracery. Nave windows partly blocked. Arched west door. North-east open-arched porch has triangular windows. Octagonal second stage with gabled canopies over blocked windows. Spire removed. Out of use at time of survey.

Synagogue. 1928, altered 1968. Designed by Marcus K Glass. Red brick with artificial stone dressings. Plain tile roof. West entrance façade has central round arch. Inside two central round-headed doorways with 3 octagonal painted stone half-columns. Panelled double doors with large fanlights above with stained glass including stars. Above a mosaic band inscribed with a Hebrew text. Above that a large round-headed window with tracery and stained glass. Above main arch a stone plaque with Hebrew inscription. Either side octagonal towers with small round-headed windows. Tall round-headed windows with original metal casements above. The towers have stone parapets. Side wings decorated with a band of zig-zag brickwork.
Interior – survives largely intact with only a bimah added centrally in 1968. Entrance lobby has original doors and staircases with iron balustrades and wooden hand rails. Synagogue has 3 galleries upstairs to accommodate women, with original wooden seating and panelled fronts supported on iron columns. East end raised up 6 steps with Ark decorated with painted and gilded wooden columned surround. Central octagonal wooden desk with carved and painted decoration. All windows have fine and bright stained glass with abstract patterns and stars. Parish room in basement retains original stage and iron columns supporting cross beams. The foundation stone was laid on 14 March 1928 and the building opened on 9 December 1928. It cost £11,000. The inscribed stones from the front of the earlier synagogue in Villiers Street were brought here when it was demolished. The son and grandson of founder member Michael Cohen and Joseph Landau were photographed with the stones together with the contractor, the stones are inscribed 'Beth Hamedresh' and the year of building. The photo may have been in the Jewish Chronicle and/or the Sunderland Echo. The stones are now lost - they may be buried in the grounds of the synagogue and school. The Jewish community is keen to find them.

Pigeon cree C20. Weatherboarded with monopitch roof. At present painted red, black and white. Single storey. 5 windows with 3 doors in-between. Small extension to left. Above the central door is a small gable with a row of upstanding perches all along the front. Lynn Pearson - probably the most celebrated pigeon loft in Britain. Located on an allotment behind the Blue Bell Inn on Back Ryhope Street. The cree was built in 1955 by Maurice Surtees and his brother William, using timber taken from colliery cottages that were being demolished nearby. It is painted red, white and blue. The birds return through sliding doors. There are 'spikes' (like a picket fence) on the roof to deter birds from landing on the roof rather than heading straight inside. The cree was the first and thus far only cree to be listed in 1998. In December 2007 the allotment holders were offered compensation to move by a prospective developer who wished to build houses on the site. The allotment holders refused. The issue was debated in the House of Commons. The developer accepted defeat in 2008. Meercat Films made a film about it in 2008 called 'The Homing Instinct'.