This building was Grade II listed in October 1994 but was demolished within a year. It was removed from the National Heritage List in 2023. The listing description read:
'Salvation Army Citadel, now shop (Conticraft DIY). Dated 1891. Bright red brick with terracotta and ashlar dressings, Welsh slate roof. In style of a medieval fortress.
EXTERIOR: 2 storeys, 1:2:7:2:1 windows. Wide central bay has full-width semicircular rubbed brick arch, with architrave, enclosing recessed paired double many-panelled doors with similar arched heads to overlights with radiating glazing bars. Terracotta tiles with low relief patterns fill soffit of large arch, with glazing bars to central roundel, impost string breaks forward and continues around angle pilasters of central gatehouse-like projection. Ashlar band to foot of pilasters and adjacent reveals of large arch; above, a corbel table supports 7 arcaded lights with glazing bars and corbelled round heads, and links gatehouse pilasters which have arched corbels to square top turrets with arrow-slit crosses in parapet. Above arcade a corbelled roof parapet has central painted ashlar panel with date 1891 incised in large well-cut figures. Corner bays have similar giant pilasters and lower corbelled turrets, without arrow slits, enclosing ground floor double panelled doors under keyed segmental arch and first-floor string to large blocked keyed window in panel. Eaves string below parapet with 3 slits under Lombard frieze linking turrets. Intermediate stair sections have high keyed blocked arches on ground floor, paired windows on 2 levels above with flat stone lintels and stone mullions, top corbelled parapet. Returns show similar detail to 2 windows of corner sections, and plainer walls beyond with glazing bars to metal-framed windows. Inserted loading doors.
INTERIOR: shows some stage and gallery structure and some C19 stucco ceiling detail.'

Terrace of 14 houses with steps, dwarf walls and railings attached. 1830. 2 storeys and basements; each house 2 windows. Steps up to 6 - panelled doors of Sunderland type, folding back to form reveals of inner door, in doorcases of pilasters and entablature; doorcase to No. 46 has altered entablature. Wedge stone lintels and projecting stone sills to sash windows, some with glazing bars and some altered. Nos. 45 and 48 have ground - floor wide bow windows. Roof has some dormers; No. 50, a canted bay of Sunderland type with slate - hung sides and gabled roof, Nos. 47 and 49 with flat heads. Some railings renewed.

Offices for Registrar and Poor Law Guardians. 1856. By Thomas Moore. Ashlar with Welsh slate roof. Gothic style. 3:2:3 storeys, 4:3:4 windows. Altered ground floor has 20th century shops. Central gabled section has 3 lancets under dripstring with central crocketed ogee; pierced quatrefoils flank finial. Pilasters defining gable have cusped panels and rise to octagonal pinnacles and spirelets with Tudor - flower finials. Gable has pierced panelled parapet with intermediate spirelets and finials. Flanking sections have label moulds and splayed reveals to sashes with glazing bars, some renewed; 4 right bays have original fine glazing bars to most windows; one wide 20th century window inserted. Moulded gutter cornice. (Corfe T: The Buildings of Sunderland 1814 - 1914.: Newcastle upon Tyne: 1983-: 15, 20).

The mother church of Sunderland and the first Gothic Revival Church to be built in the town (now city). It is an assured essay in the early English Gothic style by Joseph Bonomi of Durham, built soon after Catholic Emancipation and reflecting the growing confidence of Catholic church building at that time.
Roman Catholic parish church. 1830 - 1835. 1850 chapels, c1980 alteration to ritual S when attached presbytery demolished. Sandstone ashlar W front, remainder limestone rubble with ashlar dressings and some 20th century ashlar; Welsh slate roof; cast - iron railings. W is ritual E. Sanctuary; N and S chapel; 3 - bay nave. C13 style. Gabled W front to street has stepped buttresses with tall pinnacles flanking tall 3 - light window with cinquefoil in plate tracery; stepped triple arcade above, outer arches blind and central louvred, under crooked gable. Flanking lancets below smaller lights, under plain sloping coping. 2 - stage porches at each end, with pinnacled stepped and angled buttresses, have moulded door arches with nook shafts; bands above blind quatrefoil tracery; top stage 2 - light windows with quatrefoil tracery under Lombard frieze and top blind arcaded parapet. Gable has cross finial. S elevation has lancets. E front to Back Bridge Street has central trefoil below small lancet; lancets in outer bays; paired lancets in N and triple in S chapels. INTERIOR has W gallery on moulded cast - iron columns; inserted partition set back below. Chapels have paired double - chamfered arches on round column and attached half - columns, the N with shafts. High pointed - arched sanctuary, blind trefoil above and trefoil within, and flanking windows have nook shafts with clasping rings; hoodstring over pointed blind arches and windows. 4 confessional doors in N wall have shouldered arches with signs of the Passion carved in spandrels of chamfered surrounds under hoodstring. Panelled coved ceiling on brattished cornice and heraldic corbels. N chapel has Gothic - style reredos with high relief carved Annunciation, S chapel has E arcade. Rendered with alter brought forward; carved, painted Gothic reredos in situ. Glass in E windows signed and dated TC Dickinson, London, 1946; in N chapel vivid N window signed HM Barnett, Newcastle, commemorating Gilmore died 1867. Cast - iron railings attached to front and right return of ritual S porch: spears with trefoils on principles. The earliest Gothic revival church surviving in Sunderland. (Corfe T and Milburn G: Buildings and Beliefs: Sunderland: 1984-: 10).

This building was listed Grade II in 1978 and has the following description:
'2 houses with later shop. Late C18 building on High Street West; early C19 house on Villiers Street; eaves altered and shop front added mid C19. High Street West building Flemish bond brick, Villiers Street building garden wall bond brick (5 and one), with painted ashlar dressings; Welsh slate roof with brick chimneys. 3 storeys, 3 windows and 3:2 in right return. Projecting ground-floor shop addition in tall Corinthian Order has steps up to central boarded door in round-headed opening with pilasters, voussoirs and projecting key. Flanking display windows framed by attached columns; within these, paired round-headed lights have pilasters and moulded keyed architraves. Upper floors have wedge stone lintels and projecting stone sills to first floor sashes with glazing bars and smaller second floor casements. Deep eaves on entablature with second gutter cornice added on paired brackets. Roof hipped at corner with transverse ridge chimneys. Right return to Villiers Street has first build with 3 windows, blind in first bay and sashes with glazing bars in others as on first floor at front; No.58 Villiers Street, at right, has wood architrave to altered door recess under brick blocking and wedge stone lintel, containing steps up to renewed door and overlight; windows, all with glazing bars, similar to those of first build except that those on first and second floors are the same size. Eaves entablature and cornices continue from first build. Rear gable wall has single central first-floor sash, two of different sizes above, and two in gable peak, all with glazing bars and lintels and sills as on street fronts but unpainted.'
In 1857 No. 176 was the shop of William Moor, draper. No. 176 became the offices of Lambton Bank by 1869. By 1890 Fenwick's Brewery had taken over the property. Their brewery was in Low Street.

Public house. 1820 front range with ground floor refronted late C19. Faience ground floor; brick with painted ashlar and stucco dressings; felted slate roof with brick and rendered chimneys. 4 storeys, 2x5 windows with round corner bay; rear left return 2 storeys, 4 windows. Main 4 - storey block has canted corner entrance with coloured patterned tiles in tall pilasters flanking renewed door under blind semi-circular overlight; key to blind roundel in stone tympanum between lion - mask brackets to segmental pediment. Faience ground floor, rusticated above high plinth, has panels of patterned tiles in plinth and between windows. Sill string to fixed lights with glazing bars and voussoirs. Upper floors have cornice on second floor; sashes with glazing bars and projecting stone sills, except on second floor, and painted projecting stone lintels. Top window blind in rounded corner which has large Roman capitals BRIDGE HOTEL attached to brickwork. Top cornice. Low pitched hipped roof has raised section over rear entrance bay, and end chimneys. 5 - window left return in similar style except third floor band instead of second floor cornice, and left bay blind above door in elliptical - headed plain reveals under scroll - bracketed hood. 2 - storey extension of left return continues with one faience bay at right on ground floor, and at left a pilastered shop front with bracketed fascia. First floor has 4 sashes in plain reveals with lintel band and projecting stone sills; high coped parapet. The façade includes the word 'Billiards' in blue and gold. Billiards was a French game, played in Britain since at least the 16th century, but it was exceptionally popular in the 19th century when many pubs had bespoke billiard rooms.

Bank with dwarf walls and gates attached. Constructed on the site of two former houses between 1889 and 1891 for Lambton's Bank. The River Wear Commissioners occupied the first floor until 1907. The building is constructed in a Palazzo style and is 3 storey with 5 x 3:2 windows. The building is constructed out of coal measure sandstone on a plinth of granite. Ashlar with pink granite plinth and columns and slate roof; cast - iron gate. Rusticated ground floor has high plinths to Tuscan porches of outer bays linked by balustrades in second and third bays of Fawcett Street elevation and interrupted by opening to area in third bay; pediments over pulvinated friezes of panelled doors. 3 central round - headed windows between attached columns have renewed glazing. Ground floor entablature projects over porches and supports recessed first - floor windows with Ionic pilasters and dentilled pediments. Sill string to second - floor casements with Tuscan Mansard roof has 5 dormers with round - headed lights under scrolled pediments. Left return has 3 bays in similar style to front; first bay at left projects under mansard roof; tripartite windows in lower central section. (Corfe T: The Buildings of Sunderland 1814 - 1914: Newcastle upon Tyne: 1983; 21). The building is currently used as a Lloyds Bank.

Bank. 1902. By WB Brierley of York for the York City and County Bank. Grey Granite ground floor; ashlar above; slate roof. 3 storeys, 5x6 windows and narrow canted corner bay. End and corner bays banded. Intermediate bays have giant attached Corinthian order with heavily modillioned cornice to top entablature which breaks forward at ends and back at corners. Door, now blocked, on angle below oriel with long brackets. Ground floor heavy pulvinated banded rustication; windows deeply recessed below mask corbels of triple keystones. Similar keys to first - floor windows in pilasters with entablatures, bracketed pediments, and balustraded balconies. Second - floor windows have architraves and bracketed sills. (Corfe T: The Buildings of Sunderland 1814 - 1914: Newcastle upon Tyne: 1983-: 21).

Bank, now offices. 1876. By John Gibson. For the National Provincial Bank. Sandstone ashlar with granite plinth; Welsh slate roof. Right return to Bedford Street. 3 storeys, 6x5 windows. Palazzo style. Rusticated masonry except for orders. Ground floor has round - headed opening; steps up to 4 - panel door with overlight in keyed corniced architrave. Similar heads to ground floor windows. Ground floor entablature supports giant order: square end pilasters with fluted necking, the others elaborately carved Ionic attached columns, framing first - floor keyed sashes and moulded aprons to second - floor round - headed windows in enriched hollow reveals. Long jewelled brackets on entablature support dentilled cornice. Low pitched hipped roof has corniced chimneys at rear and side.

Hutchinson's Buildings.
Former shops and offices, rebuilt in 1898-1899 after destruction by fire, to the designs of Henry Miller Potts of Joseph Potts & Son.
MATERIALS: steel frame clad in sandstone ashlar, with possible reuse of some 1850 materials; Welsh slate roof; red-brick rear elevation.
PLAN: rectangular, facing the High Street.
EXTERIOR: situated on High Street West, the building has a symmetrical elevation with a three-bay central section of three storeys with three sets of paired windows, flanked by four-storey, two-bay end pavilions with two sets of paired windows. The building references rather than replicates the 1850s building that it replaced. The central entrance has a reeded surround within a doorcase of Tuscan fluted columns, on high panelled plinths, and an entablature with low relief ‘HUTCHINSON'S BUILDINGS’ on a frieze below a segment-headed corniced pediment with foliate sculpture. ‘Chambers’ appears in a panel above the panelled two-leaf door. The ground-floor shop fronts are C20 replacements. The first and second floors have high panelled plinths to giant Tuscan pilasters, fluted and reeded through the first floor, defining each pair of bays in slightly projecting central and end sections. There are moulded sills to horned sash window frames in plain reveals on both floors. The second floor entablature, breaks forward over the end projections, and has a pierced balustrade over a central pediment. The end pavilions have a corniced attic storey with pilasters and paired windows; acroteria on the cornice appear to have been re-used from the previous building. Corniced balustrades link the centre and end blocks. Windows are mostly late-C19 horned sashes, with the exception of those to number 103, whose original 1850s exterior was retained along with original sash windows. The rear elevation is of red brick with concrete lintels over the many window and door openings. A triple-height canted bay stair window lighting the main rear staircase, has largely blocked window openings with the exception of the second floor, which retains original fenestration.
INTERIOR: some cellar stone walls of the original 1850s building survive, with some brick rebuilding, beneath the late-C19 rebuilt ground and upper floors. The late-C19 plan forms of the ground and first floors have been lost through conversion to a later-C20 nightclub, and the main visible historic features of note in these areas is the late-C19 hallway entered from the central entrance, and a grand staircase. The hallway has a geometric encaustic tiled floor, a compartmented ceiling, and walls clad in Minton, Hollins and Co low-relief tiles; these have yellow panels with sunflowers below the dado, and panels in cream and brown with green birds in a pear tree above the dado. The grand, ornate neo-Jacobean wooden staircase has original treads, chunky newels and fluted balusters. The original cornice and tongue and groove ceiling is retained beneath a suspended ground floor ceiling. The second floor housing the original chambers retains its original plan but with partitions inserted: it has a communal reception room with plaster segmental arches with fluted keystones supported by fluted consoles, that give access to various areas; one pair of arches has a plaster niche set in between. There are a number of large second floor rooms (subdivided by C20 stud walls) with chimneybreasts and hearths but fireplaces removed. The two small third floors each have their own staircase
from the second floor. The more easterly forms a single room which retains a fireplace with an elaborate wooden surround and a cast-iron grate, and some original cornice and skirting; the glazed southern part of the roof indicates that this was a photographic studio. The more westerly attic has a short flight of timber stairs and a number of four-panel doors, skirting boards and an exposed hearth.