This small Victorian lodge is a single storey stone building with a pyramidal roof which has a central chimney stack. There are large quoins on the corners of the building and each window has a stone lintel. The lodge stands at the east entrance to Gosforth Park.

The two walled gardens in Gosforth Park were used to grow produce for use in Brandling House. The walls were heated so that fruit could be grown in the northern climate. Today the southern garden is incorporated in to a garden centre. It contains glasshouses and there is a café in the north-western corner. In the brick walls of this garden 12 pairs of sandstone blocks with iron rings can be found. There is a wide gateway in the western wall. The northern garden has sandstone walls with an internal brick face and the entrance gate in the lower south wall is topped by an arched stone lintel. This garden is now disused and overgrown. Parts of the walls are broken down. Some vestiges of beds or walks can be seen on aerial photographs. The southern walled garden is believed to be the earlier of the two with bricks said to pre-date 1784. The garden is shown on an undated survey made during the late eighteenth or early nineteenth century. The northern garden was added in 1838 and is shown on the Ordnance Survey first edition map of 1864. The walls were recorded in 2016 ahead of proposed residential development within the former gardens followed by three evaluation trenches in the northern garden. Nothing of significance was found - all garden related.
In 2017 works were monitored in a watching brief. The structural remains recorded during works included two brick vineraries, a pinery-vinery, central glass houses, brick drains and cavity walls.

The foundations of ‘Jesmond Picture House’ were laid in 1919 and the building was formally opened in May 1921. The one screen building holds many happy memories for Jesmond residents, particularly those who recall special Saturday matinees for children. The three storey building is made of stone and brick, and painted white. Most of the building is plain, though the classical decoration above the main entrance is elaborate {1}. In 1991 this was the oldest functioning cinema in Newcastle. The cinema was paid for by a limited company formed in 1919. The architects were White and Stephenson. The front stalls featured a reverse rake of the floor so that the occupants did not have to crane their necks to see the screen. There were 998 seats. Newcastle artist Gerald Dorman designed the décor for the auditorium. The land and building cost £34,775. The cinema was not a success and closed in January 1922. It was bought by H.P Smith one of the directors of the original limited company for £20,000 and sold on to the Jesmond Picture House Co. (1922) Ltd. The cinema was redecorated in brown and gold and reopened in December 1922. In December 1926 it was called West Jesmond Cinema. In November 1930 the cinema showed its first non silent film. During the War it reverted to its old name of Jesmond. In December 1962 the Jesmond was taken over by Arnold Sheckman and had bingo one night a week. By 1974 it was owned by Dorlyn Entertainments but they sold it to Top Flight Leisure bingo specialists in July 1975. In January the Jesmond was bought by Prem Khanna who stopped the bingo sessions. Apart from the new proscenium arch to accommodate a Cinemascope screen in 1954, the Jesmond is virtually unaltered {Manders 1991}. The cinema closed in 1993 and fell into disrepair. This building was formerly on the Newcastle local list, but was demolished in 2009.

Church of England mortuary chapel. The two small Victorian chapels in St Andrew’s cemetery are of asymmetric design. They are not identical although they are built in the same style and use the same materials, stone and natural slate. Similarities are found in the two buildings’ use of ornate stonework and the symbols on the roofs.

The two small Victorian chapels in St Andrew’s cemetery are of asymmetric design. They are not identical although they are built in the same style and use the same materials, stone and natural slate. Similarities are found in the two buildings’ use of ornate stonework and the symbols on the roofs.

The war memorial in St Andrews Cemetery is located next to the tombs of servicemen who died during the first and second world wars. It is a fine example of the ‘sacrifice style’, a stone cross of sacrifice of octagonal design stands tall upon a stepped octagonal plinth. There is an iron sword inlaid in the centre of the cross. An inscription is carved into the plinth commemorating those from the area who died in the wars. "TO THE HONOURED MEMORY OF 588 SAILORS AND SOLDIERS WHO GAVE THEIR LIVES FOR THEIR COUNTRY DURING THE GREAT WAR 1914-1918, 179 OF WHOM LIE HERE, 160 IN ST. JOHNS, WESTGATE AND ELSWICK CEMETERY, 147 IN BYKER AND HEATON CEMETERY, 89 IN JESMOND (ALL SAINTS) CEMETERY AND 13 IN ST. NICHOLAS CEMETERY. ALL IN THE CITY AND COUNTY OF NEWCASTLE UPON TYNE. THEIR NAME LIVETH FOR EVERMORE". There are also several headstones to Norwegian servicemen 1939-1945 in this cemetery.

This Victorian church is a small stone structure with a squat tower which has a copper dome on top. The bay windows are capped by crenellations, a feature repeated in some of the lower sections of stonework. On the south elevation two of the gables are connected by bridging arches. The large pointed arch window above the entrance has elaborate tracery which forms floral patterns towards the top of the window. 1900-2. Gothic style. Ryder - Methodist Free Church, seated 215. Arts-and-Crafts Gothic.

Henshelwood Terrace is a small attractive residential street in Jesmond. It is the cobbled road surface, included in this List nomination, which make the terraces so distinct. The street consists of two rows of three red brick three storey terraced houses. Each house has two dormer windows and large bay windows with ornamental balustrades and sandstone plinths.

Fenwick Close is a brilliant modern residential building. It is a two storey mostly brick structure designed by the late Brian Robson. The most distinctive features of the building are its boat shaped sloping roofs, and its ground floor porches. It has mostly been constructed using brick.

Designed by Pascal Joseph Stienlet, born 1879 in North Shields to Belgian parents, for the owner of the Decorative Plaster Company who supplied work to some of the cinemas and theatres that Pascal was working on. Pascal studied at Beaux Arts School in Paris. He became the business partner of Henry Gibson in 1904. Pascal J Stienlet designed Byker's Apollo Cinema in 1933. He designed over 100 cinemas including the Majestic Cinema in Leeds in 1922 (in partnership with Joseph C Maxwell). In 1934 he designed Ashbourne - a house unique to Newcastle, on the corner of Glastonbury Grove and Jesmond Dene Road. The house has sunburst glazing and a large oval shaped foyer with veneered hardwood wall facings. It has extensive decorative plaster. The house is heated by hot water circulating through pipe coils in the ceiling. Pascal's grandson Vincente Stienlet now runs the Pascal J Stienlet & Son practice from Hawthorn Road West in Gosforth.