Table tomb. Circa 1819. Sandstone. Table on central scrolled
pedestal and 4 bulbous fluted corner columns, bears inscription commemorating
Nicholas Chancer, mason; d. 1819.

Large house; now old peoples' home. Dated 1742 on rainwater heads; early
C20 additions of round bows on returns. Brick with sandstone ashlar
dressings and rusticated quoins; graduated Westmorland slate roof with 2
tall corniced brick chimneys. 2 storeys and attics, 5 windows x 5.
Partly-glazed door, under ornamental fanlight in Tuscan doorcase with fluted
necking and open pediment, in 2-storey central half-octagonal projection
with windows above door and in canted returns; one window either side.
All windows sashes with glazing bars, projecting stone sills and splayed
stone lintels with false voussoirs. Round bows in returns have flat
stone lintels of similar style. First floor string;dentilled eaves cornice.
3 later pedimented dormers in low-pitched hipped.roof; blocking course to all
projecting bays. 2-storey decorative cast iron loggia on right return.
Interior shows stair, in centre of hall, with turned balusters and ramped
handrail; some stucco decoration to ceilings and cornices.

Sandstone rubble wall with rounded coping; early C19. Encloses stack yard to south of barn, stables, implement shed and pig sties. Included partly for group value.

House, formerly 2 separate dwellings. Late C18. Pebble-dashed, Welsh
slate roof with stone gable copings on curved kneelers, one left end brick
chimney, 2 corniced ashlar chimneys between bays 3 and 4 and at right
end. 2 storeys, 5 bays. Splayed stone lintels and flat stone sills to
tripartite sash windows with glazing bars in bays one, 3 and 5.
6-panelled door in bay 2 has shallow oblong fanlight under blocked fanlight
and stilted pointed hood on brackets;similar treatment to door in bay 4
under flat stilted hood on brackets. Farm building attached: early C19;
similar materials. 2 storeys; 7 bays. Loft windows in bays one, 3, 5 and
7; blind windows in bays 2, 4 and 6. One Yorkshire sash with glazing bars
on ground floor at right. One end brick chimney at right.

Walls. C18. Stone and brick. Stone coped high stone wall runs west of house
enclosing bleach yard; stone-coped high brick wall with stone inner leaf,
returning to rear, contains 6-panel door under square-bracketed stone lintel.

Stables, arches and towers. Circa 1840. Coursed squared sandstone with ashlar dressings; roof of graduated Westmorland slate. Gothick style. Eastern gate house: spiked and studded double gate in buttressed double chamfered 4-centred arch flanked by octagonal towers of three storeys and one bay with lancet windows to ground and first floor. Later infill over
gate has 3-light stone transomed and mullioned window with label mould; crenellated parapet on corbels; square towers set back have pyramidal Westmorland slate roofs. West elevation shows 4-light stone mullioned and transomed window and a corbelled parapet above arch. Octagonal clock tower over western arch entrance to stable block. Stable ranges around courtyard have stone mullioned and transomed windows, coped buttresses and Tudor arches; some original doors and table fittings. Western range has square tower with pointed arches in upper stages and coped crenellated parapets at north-west corner. NAA (2006) suggest that the stable block may contain 18th century fabric from an earlier stable block which accompanied the Palladian villa. West of the stable block are two sub-rectangular plots delimited by rows of chamfered stone posts which were once linked by iron railings with a hedge behind. These may have been drying yards. A photographic survey of the stable block was made 2014 by NAA. The stable was also monitored by the same team during consolidation works in the same year. The stables provide an illustration of the advances made in equestrian husbandry in the 18th and 19th century and may have influenced John Nash's later designs at the Royal Mews - they are of considerable historical value.

Cinema, now club. Built 1927 as dance hall, converted 1930 for Imperia Hall Co. (Felling) Ltd., managing director J. H. Smith. Brick with stone dressings, roof plain tiles. 2 storeys, 3, 3 and 3 aproned windows under flat brick arches; keystones to central ones in outer groups, and all in centre group. Brick quoins; pilasters between window groups, bearing low relief stylised eagles in stone, have bronze straps supporting bronze torches. Ground floor has shops at left and right having art deco glass and doors; central bay
has 2 double doors with some etched glass between chromium pilasters under canopy. Hipped roof has eaves cornice from pilasters and along returns, central low-sloping coped stone parapet. Interior: oak-panelled entrance foyer and staircases, curved bands to ceiling lights in foyer; main hall has pilasters with stylised capitals, decorative plaster bands on ceiling, original seating in balcony; original ceiling lights. Source: submitted plans in Gateshead Library.

4 section boundary markers of graveyard. Early C19. Sandstone blocks, some partly obscured, up to 40cm high and 20 cm wide. Chamfered east faces bear inscribed 'W', '4', '6', '7', on stones 19, 13 and 2 metres south of line due west from church and 7 due west.

Memorial to 91 persons killed in Felling Colliery, May 1812. Sandstone
and bronze. Obelisk on squareplinth and base, all chamfered; 4 bronze
plaques on plinth record the names and ages of the dead, of whom the
youngest was aged 8. Historical note: after this accident the rector of
Heworth, John Hodgson, set about forming the Society for the Prevention of
Accidents in Coal Mines and encouraged Sir Humphrey Davy in the development
of his safety lamp. Source: James Raine A Memoir of the Rev. John Hodgson
2 vols. 1857 Vol. I pp 90-119, 170-186.

Tomb: headstone and gravecover of Richard Dawes, headmaster of Newcastle
Grammar School, died 1766. Sandstone headstone; natural basalt boulder grave-
cover. Headstone has trophy over inscription. Grave cover has inset bronze
plaque: THE BURIAL PLACE OF RICHARD DAWES M.A. AUTHOR OF THE CELEBRATED WORK
INTITLED MISCELLANEA CRITICA. LET NO MAN MOVE HIS BONES. Historical note:
boulder and inscription placed in 1822 by John Hodgson, rector of St. Mary's.
Source: J. Raine A Memoir of the Life of the Rev. John Hodgson. 1858 vol. II p135.