1997 by Craig Knowles. A forged steel weather vane with two silver cormorants and clouds with a north-south pointer below, on a black-painted steel pole in a concrete base in a circular wooden bench. 7.2m high.

1996 by Colin Wilbourn and Karl Fisher. 26 relief panels in yellow fire clay set into a red brick retaining wall. Each group of 4 panels illustrates a story on a metal plate between them. Each panel is within a window frame with a latch. The stories include a magic tree written by Fulwell Junior School, a battle between two witches by Dame Dorothy Primary School, local memories by Monkwearmouth Local History Society and a flying fish by St. Benet's RC School. The stories were written with the help of writer Chaz Brenchley.

1997 by Craig Knowles. A forged steel gate between the end of the lifeboat centre and the cliff face, made of lifeboat oars connected by wire. The gate posts are art nouveau in style. There are railings in a similar motif which protect young trees along the esplanade.

1997 by Colin Wilbourn, Karl Fisher and Craig Knowles. Comprises of a sailing ship carved into a retaining wall at the rear of North Dock. The perspective is only aligned correctly if viewed from a nearby bench looking through the keyhole of a half door. There is also a stone doorway set into the retaining wall with a sun in stained glass lit from a lamp inside. A third doorway in soft white stone stands separately with two steel oars against it and a stained glass sailing boat and a seagull. Commissioned by Tyne and Wear Development Corporation.

1998 by Richard Broderick for Northern Freeform. A curving sheet of steel, one side polished the other rough, on a brick pedestal 2m high. Designed by children from Ashleigh School. Outside North Shields Metro Station.

1996 by Pete Auty. A frame of green patinated copper pipes, from which water jets into a brick pond beneath, with two intersecting circles on top and lights set within it. Located in the coutyard at the main entrance to the hospital.

1987-8 by Maggie Howarth. Sculptors were Richard Broderick and Graham Robinson for Freeform Arts Trust. A large mosaic work in stone, concrete and ceramics 3m long and 10m wide set into the bank below Tyne Street to the east of the light house. Depicts sea life - two large cod plus other highly coloured fish and other creatures. The piece is best viewed from the end of Fishermen's Wharf below.

Plaster or terracotta bust-length sculpture, similar to that in Northumberland Square, also painted brown. Installed in the 1980s.

1998 by David Paton. A large yellow boulder to which ten high-relief portraits of workers from Herrington Quarry in white Portland stone are attached by steel frames. The work was vandalised the day before it was unveiled. The work was moved and restored after subsequent vandalism.

1998-9 by David Paton. A large non-local Portland stone carved with abstract representations of spires, plus locally-hewn sandstone blocks carved with trefoil windows and columns [inspired by Durham Cathedral]. There are letters on the boulders which spell out the word COAL and BLACK SEAMS PAY FOR ALL WE SURVEY. Commissioned by City of Sunderland, English Partnerships and RJB Mining (UK) Ltd.