1997 by Rosie Leventon. Four large boulders each with a single vertical stripe, set in a line across the grass from the river bank to a line of trees. A fifth smaller boulder carries an inscription "HERE IS THE END OF THE LINE/ STAITHES AND THE START OF THE SEA/ THE WORM IN THE WATER". The stripe across the boulders represents the worked-out coal seam. Commissioned by the Tyne and Wear Development Corporation as part of the Stephenson Trail.

Building c. 1859; restored 1996. There are two carved dancing female figures (95cm high and 40cm wide) like caryatids on opposite corners of the shop façade. Each is brightly painted with a lilac dress, blonde hair and blue necklace. There are also brightly painted relief heads (10cm square) including a king and a queen.

1997 by Lynne Regan. Steel relief sculpture of George Stephenson's first locomotive and coal truck set into a grassed bank. Smoke from the locomotive's chimney is in concrete. Commissioned as part of the Stephenson Trail which runs from Easington Lane to the River Wear in the centre of Sunderland following the Hetton Colliery Railway.

1993 by Matthew Jarratt. Three well-headed shaped red brick walls 1.56m high and 3.6m wide with yellow fire clay panels set into them carved with a crane, house, ship, bridges and a lighthouse, with 'VEDRA' above in raised letters. There is also a boat-shaped planter in red brick, surrounded by coloured mosaics. Set in a wildlife garden to the rear of the community centre. Commissioned by City of Sunderland.

1997 by Mary Bourne. Nine boulders across the entry to a cut-through at the junction with Maplewood Avenue. Two more at the rear of the tarmaced area. Each stone is carved with animals, birds, fish or structures (one shows the Wearmouth Bridge).

1995 by Colin Wilbourn and Karl Fisher. Writer - Chaz Brenchley. A large red sandstone sculpture representing the ground floor of a house (a fireplace, coat hanging on a door, a table, a rug, books and desk). The rug is carved with the words "WHAT GOES AROUND COMES AROUND". The sandstone came from the Queen Alexandra Bridge. There are further words carved on a stone block outside the piece. Commissioned by the Tyne and Wear Development Corporation.

1988 by Abigail Downer. Three moulded concrete sculptures in Hylton Dene. 'Sleeping Dragon' is curled up asleep on a hillside in the central western part of the Dene. Four 'Footprints' lie to the east near the lake. East again in an area now fenced off are the remains of the 'Dragon's Nest' but the concrete eggs are now smashed. There was a competition for the artist in The Guardian in 1988.

1998 by Jon Mills and casted by Taylors Foundry, Haverhill. A black painted steel column in the shape of a fish tail, with an undersea scene, sea creatures, bones, a petrol pump and a car tyre on the main face. Commissioned by the Millennium Lottery Fund. One of 1000 mile posts funded by the Royal Bank of Scotland to mark the National Cycle Network.

1996 by Graciela Ainsworth. A heavy concrete-filled drum, 80cm high and 85cm in diameter, suspended between two steel rings allowing it to rock if pushed. Two steel supports rise up from the drum with a yellow stone partridge at the top of each one. On the outer drum are the words "THE NAKED EARTH WARM WITH SPRING BURSTING TREE'S LEAN TO THE SUN'S KISS" taken from a poem by Julian Grenfell. commissioned by Gateshead Council as part of its 'Four Seasons' initiative and is meant to represent Spring.

1996 by Laurent Reynes. A bridge over a stream in Washingwells Wood, using four pairs of blue-painted telegraph poles, decorated with pebbles set in concrete, as the supportive struts. The bridge was commissioned by Gateshead Council as part of its 'Four Seasons' initiative and is meant to represent Summer.