1990 by Nick Lloyd. This Ancaster Hardwhite limestone sculpture was originally displayed at Gateshead Garden Festival in 1990, now sited within Newcastle Business Park, who commissioned the piece. The sculpture is named after the village in the Derwent Valley where the sculptor lives and works.

1990 by Andrew Burton. This bronze sculpture of an elephant ridding itself of its burden, was originally displayed at Gateshead Garden Festival in 1990, now sited within Newcastle Business Park, who commissioned the piece. Andrew Burton teaches sculpture at Newcastle University. It is embellished with imprints. Commissioned by Tyne and Wear Development Corporation.

1981 by Austen Wright. An aluminium abstract relief situated on a wall of the Squires Building. Austen Wright taught sculpture at the University of Newcastle. The relief cost around £5000. 1981 by Austin Wright. A 19m long abstract hung on the wall of the fashion building at Northumbria University on Sandyford Road. Depicts the shapes and forms of a landscape viewed from above. Commissioned by Newcastle Polytechnic.

1969 by Raymond Arnatt. A bronze abstract sculpture, still located on Swan House roundabout but slightly moved from its original location when Swan House was converted into apartments around 2002. This 5m x 3.5m x 3m sculpture was designed as a memorial to Sir Joseph William Swan, the Newcastle inventor of the incandescent light, and is inspired by the form of the first filament bulbs. T. Dan Smith suggested the memorial to Joseph Swan. The work was unveiled on 16th September 1969 by Joseph's son Sir Kenneth Swan. The sculpture was reformed after damage in the 1990s.

1968 by David Wynne. A bronze statue commissioned for the then new Civic Centre. It is based on Hans Hartvig Seedorff Pederson's 'The Swans from the North', a Scandinavian poetic work - the five swans representing the five Scandinavian countries which were created as independent states (Denmark, Finland, Iceland, Norway and Finland). The sculpture of the swans stands over a rectangular pond in the Civic Centre quadrangle, sprayed by a fountain. A copy of the sculpture stands at the Ambassador College, Big Sandy, Texas.

1990 by David McMillan. This red painted steel sculpture was originally displayed at Gateshead Garden Festival in 1990, now sited within Newcastle Business Park, who commissioned the piece. It is an undulating sculpture which gives the impression of rolling hills.

1990 by Richard Cole. A concrete sculpture in various colours originally displayed at Gateshead Garden Festival in 1990, now sited within Newcastle Business Park, who commissioned the piece. Inspired by topiary and 'invented organic forms'.

1992 by Fred Watson. A granite sculpture of 15 stacked books beside the Ellison Building. Commissioned to commemorate Newcastle Polytechnic becoming the University of Northumbria in 1992. Fred Watson taught sculpture at the Polytechnic for many years. 'Inside Outside' by Fred Watson can be seen at the Tranwell unit of the Queen Elizabeth Hospital, Gateshead.

1968 by David Wynne. A bronze statue commissioned for the new Civic Centre. The 'River God Tyne' is one of eight rivers represented as sculptures of 1786 on the front of Somerset House in London. The original mask was surmounted by a basket of coals surrounded by motifs symbolising the Tyne valley. Wynne's sculpture portrays the river God in human form. He has a fountain within his outstretched hand coursing a constant flow of water across his torso. Originally patinated a dark black colour, the figure has slowly turned green and brown by the running water.

1985 by David Hamilton. This brick and tile structure contains a ventilation shaft for the Metro system. The ceramic relief marks the achievements of Sir Charles Parsons (1854-1931), the designer of Turbinia, a turbine powered vessel. The designs pressed into the clay are based on Parson's engineering drawings. Commissioned in 1982 as part of the 'Art on the Metro' scheme run by Tyne and Wear Passenger Transport Executive to enliven the Metro network. Approximately 3m high hexagonal sculpture. Orange terracotta tiles. The patchy orange and brown gives a sense of iron, perhaps of rusty iron.
The sculpture is listed Grade II with the following description:
Details
Relief sculpture, 1982-85, designed by David Hamilton, commissioned by Tyne and Wear Passenger Transport Executive to clad a concrete ventilation shaft for an underground Metro tunnel.
DESCRIPTION: the sculpture is free-standing on the N pavement of Blackett Street. It stands approximately 3m (9.8ft) high and is hexagonal in plan. The surface is covered in orange-brown terracotta tiles of differing sizes and shapes with a slightly rough, hand-finished texture. At the base is a chamfered plinth covered in small tiles. Above the plinth the six vertical faces all have relief mouldings of abstracted machinery parts taken from Parsons’ engineering drawings. The deeper, lower panels depict two alternating images of an abstracted cog and machine part and the narrower, upper panels depict two similar machine parts which also alternate. The upper sections of the six faces have offset ventilation louvres partially formed from stacks of abstracted machine parts. The sculpture has a hexagonal pointed roof of small tiles with ridge tiles to the angles.