1998 by Raf Fulcher of Sunderland University. A folly in the form of a sandstone and concrete circular temple-like building with a golden sun or planet above in a sphere. The names of various towns (London, Antwerp, Rotterdam, Amsterdam, Dororecht, Hamburg, Bremen, Chent) are carved around the inner rim. The names were taken from a wooden sign at Plummer Chare, and were the destinations of Newcastle and Sunderland liners of the Tyne-Tees Steam Shipping Company. Commissioned by the Tyne and Wear Development Corporation.

1996 by Members of the British Association of Blacksmith Artists. A forged steel cone in six sections. Each section contains objects, mostly with a maritime theme, which relate to one of the senses. The work was inaugerated in May 1997 by Evelyn Glennie, a percussionist, ringing the bell which hangs inside the needle. Commissioned by the Tyne and Wear Development Corporation.

1996 by Andrew Burton. A green-patinated bronze curving rudder-like form. Commissioned by the Tyne and Wear Development Corporation.

1996 by Andrew Burton. A series of curved shapes surrounding a tapered column, all in steel. There is a twisted abstract shape on top of the column. Resembles waves around a lighthouse. Commissioned by the Tyne and Wear Development Corporation.

1996 by Neil Talbot. A carved relief showing a map of 30 miles of the River Tyne on a retaining wall beside the Wesley Memorial Fountain. Commissioned by the Tyne and Wear Development Corporation. The river is shown in map form with important structures along its route - Cawfields Roman milecastle, Bardon Mill, Corbridge bridge, Prudhoe Castle, Cherryburn, Stephenson's cottage at Wylam, Lemington Glass Cone, Newburn Church, Vicker's factory, Dunston Staithes, Swing Bridge, High Level Bridge, Castle Keep, St. Nicholas Cathedral, Swan Hunter Shipyard, Jarrow Monastery, Arbeia Roman Fort, North Shields Fish Quay and Tynemouth Priory.

1995 by Andre Wallace. Partner piece to 'River God'. A female bronze torso with a bell for an earring. Sits on a steel column. Commissioned by the Tyne and Wear Development Corporation.

1996 by Andre Wallace. Bronze brown-patinated figure of a male head and torso on top of a steel column. He holds a staff and chain and appears to be blowing at the nearby 'Siren' figure by the same artist. Commissioned by the Tyne and Wear Development Corporation.

2000 by Ray Smith. Stylised linked concrete figures creating a barrier between the road and the area around the South African War Memorial. The work included water features at either end in stainless steel. Commissioned by Newcastle City Council.

1962 by Geoffrey Clarke. A grey painted steel spiral over 10m high. Next to the Herschel Physics Building. Commissioned by University of Newcastle upon Tyne. The piece was originally finished in shiny aluminium, but Basil Spence who designed the nearby Herschel Building, thought that it distracted attention from his building and so after a month it was flame blasted, waxed and painted grey {2}.
The sculpture was listed Grade II in 2016 with the following description:
Details
Sculpture, 1962 by Geoffrey Clarke, commissioned by Sir Basil Spence to stand outside his Herschel Building for the Physics Department of the University of Newcastle (at that time King's College, University of Durham, becoming the University of Newcastle in 1963).
MATERIALS: steel armature with cast aluminium panels. Painted with micaceous iron oxide and microcrystalline wax during the 2012 restoration.
PLAN: a free-standing sculpture with a vertically-set shield and coil with a tall spire standing on a narrow, rectangular platform or bench.
DESCRIPTION: the sculpture stands on the NW side of the Herschel Building and is set at an angle to the building. It is a large, abstract design, though clearly symbolic of the scientific advances in the 1960s. The main section is set on a narrow, rectangular bench or platform standing around 1.2 metres high on rectangular legs. The bench has an angular appearance being covered in textured, cast-aluminium panels with projecting pegs or dowels. The shape of the main section is based on some form of electrical equipment or receiving dish held by a clamp with V-shaped base which stands at the N end of the bench. The clamp is covered in small, pegged, cast aluminium panels, giving the effect of wooden slats. One side of the main section is made of a large, loosely-wound coil covered in angular, cast aluminium panels. The other side is shaped like a roughly circular shield or receiving dish of cast aluminium with raised seams, which cups the coil. Two, roughly horizontal, circular steel tubes emerge out of the aluminium panels to flank the spiral like stripped wires or antennae. The whole is topped by a tall spire or antenna rising approximately 4 metres. The lower half is covered by small, cast-aluminium panels from which a circular steel tube emerges.

1991 by Piper James Turner. Located in Sandyford Road in front of the Visual Arts Department. Stone sculpture of a flat fish exhibited first as part of the artist's degree exhibition. Commissioned by Northumbria University.